CATALOGUL LUCRĂRILOR
MUZICĂ PENTRU SOLIŞTI
MÉTABOLES (I) (1986)
for flute (12’)
Prima audiţie: 1986, Bucureşti, Ateneul
Român, solist Virgil Frâncu
Prima înregistrare: Artgallery
- Paris ESL 009-ED MN 1007
MUSIQUE POUR MALLARMÉ (1987) for piano
(11’)
Prima audiţie: 1987, Bucureşti, Casa Radio,
solistă Ana-Maria Avram
Prima înregistrare: LP, ELECTRECORD,
1988 ST-ECE 16790/88
COSMOPHONIE (1988) for orgue (14’)
Prima
audiţie: 1988, Bucureşti, Ateneul Român, solist Dan Racoveanu
MÉTABOLES (II) (1991) for bass clarinet (13’)
Prima audiţie:
1992, Paris, Radio France, „Présences '92” Festival, solist
Didier Pernoît
REFLETS (1992) for percussion (10’)
Prima
audiţie: 1993, Cluj-Napoca, Festivalul Internaţional de Muzică
Nouă ”Cluj Modern”, Ansamblul „Ars Nova”, dirijor
Cornel Ţăranu
ARCHAE (I) (1992) for solo voice (13’)
Prima audiţie: 1992, Bucureşti, Săptămâna
Internaţională a Muzicii Noi, Ateneul Român, solistă Elena
Vassilieva (Franţa)
Prima înregistrare: Edition MODERN ED
MN 1004
QUATRE ÉTUDES D’OMBRE (1992) for bass flute (14’
30”)
Prima audiţie: 1994, Paris, solistă Isabelle
Hureau
Prima înregistrare: Artgallery - Paris ESL 009-ED MN 1007
SWARMS (I) (1993) for 8 superposed violins (11’)
Prima audiţie:
1994, Bucureşti, solist Ioan Marius Lăcraru
AXE (II) (1998)
for cello (14’ 30”)
Prima audiţie: 1998, Bucureşti,
Filarmonica „George Enescu”, solist Andrei Kivu
Prima înregistrare:
2000 Edition Modern ED MN 1013
FLASHES (I) (2000) for trombone (11’
30”)
Prima audiţie: 2000, Bucureşti, solist Victor
Arsene
PENUMBRA (I) (2003) for tenor saxophone (12’ 30”)
Prima audiţie: 2003, Tokyo, Asashi Hall, solişti Trio Kya
- Robert Reigle
Prima înregistrare: Edition Modern ED MN 1019,
2003
APOKATASTASIS (II) (2003) for percussion (16’ 30”)
Prima audiţie: 2004, San Diego (USA), UCSD, Gustavo Aguilar
GALAXY-REFLECTION (2004) for percussion (11’)
Prima audiţie:
2004, San Diego (USA), UCSD Spring New Music Festival, solist Gustavo Aguilar
Prima înregistrare: Edition Modern ED MN 1020, 2005
UMBRE (II) (2003) for clarinet (10’)
AXE (VII) (2004) for doublebass
(12’)
Prima audiţie: 2004, Paris, „Instants Chavirés”(Montreuil),
solist Jean-Pierre Robert
SEVEN ROMANIAN FOLKSONGS FROM BELA BARTOK’s
COLLECTIONS (2005) for piano (21’)
MUZICĂ DE CAMERĂ
STRING TRIO (1986) for violin, viola, violincello (11’)
Prima
audiţie: 1986, Bucureşti, Ateneul Român, „Trio Romantica”
CUVINTE PESTE POARTA DIN URMĂ (1986) for soprano and piano (13’)
Prima audiţie: 1986, Bucureşti, Casa Radio, Georgeta Stoleru
(soprană), Ana-Maria Avram (pian)
CANCIONES DE LA SOLEDAD (1987)
for mezzosoprano bassoon and percussion (14’)
Prima audiţie:
1988, Bucureşti, Festivalul Internaţional „George Enescu”
Solişti: Steliana Calos (voce), Mihai Tănăşilă
(fagot), Ana-Maria Avram (percuţie)
Prima înregistrare: LP
ELECTRECORD, 1988 ST-ECE 16790/88
NOMOS (1987) for soprano, flute, piano,
percussion and strings trio (14’)
Prima audiţie: 1987,
Bucureşti, Ateneul Român
Solişti: B. Manoleanu (soprană),
V. Frâncu (flaut), V. Ciurilă (percuţie) Ana-Maria Avram (pian)
& „Trio Romantica”
TWO SONGS (1987) for barytone and prepared
piano on poems by N. Stanescu (9’)
Prima audiţie: 1987,
Cluj-Napoca, Gheorghe Rosu (bariton) & Ana-Maria Avram (pian)
DIALOGURI
CONCERTANTE (1987) for doublebass and percussion (14’)
Prima audiţie:
1988, Cluj, Ansamblul „ARS NOVA”, dirijor Cornel Ţăranu,
solist Dorin Marc
CANCIONES DE LA SOLEDAD (1988) for mezzosoprano and
b.cl (14’)
Prima audiţie: 1989, NEW-YORK, Steliana Calos,
Leontin Boanta (bcl)
SIGNUM GEMINI (I) (1988) for clarinet and percussion
(12’)
Prima audiţie; 1988, Bucureşti, Ateneul Român,
Aurelian Octav Popa (clarinet), Viorica Ciurilă (percuţie)
SIGNUM GEMINI (II) (1989) for clarinet, prepared piano, 2 percussion gropus and
electronic tape (14’)
Prima audiţie: 1989 PARIS, Radio
France, Ansamblul HYPERION, dirijor Ana-Maria Avram
Prima înregistrare:
Edition Modern ED MN 1002 (1992)
MOMENTE (1990) for trombone and
ensemble (14’)
Prima audiţie: 1991, ALICANTE, Ansamblul
HYPERION, solist Victor ARSENE, dirijor Iancu Dumitrescu
MÉTABOLES
(III) (1990) for clarinet and prepared piano (13’)
Prima audiţie:
1991, ALICANTE, A. O. Popa (clarinet) şi Ana-Maria Avram (pian)
OUÏR DANS SA CHAIR PLEURER LE DIAMANT (1991) for ensemble (14’)
Prima audiţie: 1991, Bucureşti, Săptămâna Internaţională
a Muzicii Noi,
Ansamblul HYPERION, dirijor Ana-Maria Avram
ARCHAE
(II) (1992) for soprano, saxophone and ensemble
(fl,1 cl, 1pec, 1violin,
viola, cello, doublebass) (12’)
Prima audiţie: 1992, Bucureşti,
Ateneul Român, Săptămâna Internaţională a Muzicii
Noi,
Solişti: Elena VASSILIEVA (soprană), Claude DELANGLE
(saxofone), Ansamblul HYPERION, dirijor Ana-Maria AVRAM
IRMOS (1992)
for solo saxophone and saxophones ensemble (15’)
(3 s-nino sax. muta
in 3 s-no, 3 alto sax., 3 tenors, 3 barytones)
ASSONANT (III) (1993)
for flutes, percussion and piano (12’)
Prima audiţie: 1993,
PARIS, Isabelle HUREAU (fl.),nr. 15 (perc.)
Prima înregistrare: Artgallery
- Paris, ESL 009-ED MN 1007
ASSONANT (II) (1993) for saxophones and percussion
(12’)
SWARMS (II) (1993) for string quartet (11’)
IKARUS (II) KRONOS QUARTET (1994) for string quartet (14’)
Prima
audiţie: 17 octombrie 1994, Paris, „Théâtre de la Ville”,
Kronos Quartet
Prima înregistrare: EDITION MODERN ED MN 1008,
1997
LE JARDIN DES SENTIERS QUI SE BIFURQUENT (1996) for flute, clarinet,
piano, percussion, violin, cello, electronics and tape (12’)
Prima
audiţie: Cluj, Ansamblul „Ars Nova”, dirijor Cornel Ţăranu
ARCANA MAGNA (1997) for string quartet, clarinet, saxophone and prepared
piano (16’)
Prima audiţie: 17 martie 1998, Londra, Royal
Festival Hall, Ansamblul HYPERION, dirijor Iancu Dumitrescu
ANANDA ASUR
ELY (I) (1997) for saxophone and strings (11’)
Prima audiţie:
1997, Filarmonica „George Enescu”, Ansamblul HYPERION
AXE (I) (1998) for cello and percussion (14’)
Prima audiţie:
1998, Paris, Andrei Kivu şi Thierry Miroglio
Prima înregistrare:
EDITION MODERN ED MN 1010
NOUVEL AXE (1998) for viola, two cellos
and doublebass (14’)
Prima audiţie: 17 mai 1998, Nancy,
Ansamblul HYPERION, dirijor Ana-Maria Avram
Prima înregistrare: ReR
Megacorp - Londra, DACH01-1999
NEW ARCANA (1998) for solo bass clarinet,
clarinet, bassoon, trombone, precussion, 2 violas, 2 cellos, 2 doublebasses (13’)
Prima audiţie: noiembrie 1998, Filarmonica „George Enescu”,
Ansamblul HYPERION, solist Tim Hodgkinson, dirijor A.M. Avram
Prima înregistrare:
EDITION MODERN: EDMN 1015
ASCENT (1999) for bass clarinet, bassoon,
trombone, percussion, viola, 2 cellos, 2 doublebasses. (15’)
Prima
audiţie: martie 1999, Filarmonica „George Enescu”, Ansamblul
HYPERION, dirijor Ana-Maria Avram
Prima înregistrare: EDITION
MODERN: EDMN 1014
DORYPHORIES (I) (2000) for bass clarinet, bassoon,
trombone, 2 percussion groups, viola, cello , 2 doublebasses (11’)
Prima audiţie: 29 mai 2000, Casa Radio, Săptămâna Internaţională
a Muzicii Noi, Ansamblul HYPERION, dirijor Ana-Maria Avram
Prima înregistrare:
EDITION MODERN: EDMN 1016
DORYPHORIES (II) (2000) for bass clarinet,
bassoon, trombone, 2 percussion groups, viola, cello, 2 doublebasses (10’)
Prima audiţie: mai 2000, Belgrade, Festivalul Internaţional
Ring-Ring, Ansamblul HYPERION, dirijor Ana-Maria Avram
TRACES, SILLONS,
SILLAGES (II) (2000) for ensemble
(1fl, 1cl, 1bass, 1trb, 1perc, pno, 2 violas,
2 cellos, 2 doublebasses). (13’)
Prima audiţie: mai 2000,
Festivalul Internaţional Ring-Ring, Ansamblul HYPERION, dirijor Ana-Maria
Avram
ANANDA ASUR ELY (II) (2000) for clarinet and viola (10’)
Prima audiţie: mai 2001, Bucureşti, Casa Radio, Săptămâna
Internaţională a Muzicii Noi, solişti Aurelian Octav Popa şi
Sanda Crăciun
AXE (III) (2001) for clarinet and cello (11’)
Prima audiţie: noiembrie 2002, Casa Radio, Tim Hodgkinson (clarinet)
şi Andrei Kivu (cello)
TWO ROMANIAN FOLKSONGS FROM BELA BARTOK’s
COLLECTIONS (2001) for four bassoons (7’)
Prima audiţie: decembrie
2001, Bucureşti, Filarmonica „George Enescu”, Ansamblul „Acolade”
TEXTURES (I) (2002) for ensemble (1cl,1bass,1trb, pec, piano, 2 viola, 2
cellos ,2 doublebasses) (10’)
Prima audiţie: iunie 2002,
Bucureşti, Ansamblul HYPERION, dirijor A M Avram
ASANA (2002) for
clarinet, viola, cello, doublebass (9’)
Prima audiţie: 2002,
Bucureşti, Filarmonica „George Enescu”, Ansamblul HYPERION
SEVEN ROMANIAN FOLKSONGS FROM BELA BARTOK’s COLLECTIONS (2003) for
viola and piano (21’)
Prima audiţie: noiembrie 2003, Bucureşti,
Filarmonica „George Enescu”, Cornelia Petroiu (violă) şi
Ana-Maria Avram (pian)
ESQUISE (I) (2003) for panpipe and 8 bassoons
(7’)
Prima audiţie: octombrie 2003, Casa Radio, Yumika
Nozaki (panpipe) & Ansamblul „Acolade”, dirijor Ana-Maria Avram
NOUVEL AXE (VII) (2004) for nine strings (2 violins I, 2 violins II, 2 violas,
2 cellos, 1 doublebass) (12’)
Prima audiţie: iunie 2004,
Bruxelles, „La Bellone”, „Musiques Nouvelles” Ensemble,
dirijor Jean-Paul Dessy
ASCENT (II) London Sinfonietta Version (2004)
for ensemble (16’)
(alto fl, bass fl, cl, bcl, bassoon, hr, bass trp,
trbone, tuba, 3 perc, 2 v-lins, viola, cello, d-bass)
ASSONANT (IV) (1993-
2005) for oboe, percussion and piano (12’)
Prima audiţie: mai
2005, Bucureşti, Săptămâna Internaţională a Muzicii
Noi, Trio „SurPlus”
SEVEN ROMANIAN FOLKSONGS FROM BELA BARTOK’s
COLLECTIONS (2006) for violin / or cello/ and piano (21’)
Prima
audiţie: august 2006, Braşov, Sherban Lupu (vioară), A.M. Avram
(pian)
TEXTURES (I) (2006) for soloists and ensemble (12’)
(solo: bcl, ten.sax, hr, perc. Ens: 1.0.2.1.0.0.2.0.str: 0.0.1.1.2 , 1 pno, perc.
Prima audiţie: 3 mai 2006, Festivalul „Acousmania”,
Ansamblul HYPERION, solişti T.Hodgkinson, Robert Reigle, D. Simandy, G; Aguilar,
dirijor A.M. Avram
QUATRE ETUDES ORPHIQUES (2006) for female voice and
bass clarinet
Prima audiţie: 18 noiembrie 2006, Paris, Festivalul
SPECTRUM XXI, Janet Pape (voce), Tim Hodgkinson (clarinet & bass clarinet)
MUZICĂ ELECTRONICĂ ŞI INSTRUMENTALĂ
ZODIAQUE
(I) (1990) for prepared piano and electronic tape (16’)
Prima audiţie:
aprilie 1990, Juvisy-sur-Orge France, solistă Ana-Maria Avram (pian)
NOTTURNO (I) (1990) for oboe and electronic tape (14’)
Prima
audiţie: aprilie 1990, Juvisy-sur-Orge France, solist Adrian Petrescu
(oboi)
ZODIAQUE (II) (1991) for percussion and tape (16’)
Prima
audiţie: 1990, Bucureşti, Filarmonica „George Enescu”,
solist Thierry Miroglio (perc.)
ZODIAQUE (III) (1991) for prepared piano,
percussion and tape (17’)
Prima audiţie: mai 1991, Săptămâna
Internaţională a Muzicii Noi, Ana-Maria Avram (pian) şi Doru Roman
(percuţie)
Prima înregistrare: EDITION MODERN ED MN 1002
(1992)
SYMETRIES (1992) on texts by G. Astalos, (with Iancu Dumitrescu)
(25’)
Solist: Pierre Lamy (speaker)
Prima înregistrare:
EDITION MODERN EDMN 1004
DE L’ABOLITION DE L’ÂME
(1995) broadcasting work on texts by E.M. Cioran for female voice, speaker, bass
flutes, percussion, trombone, doublebass, prepared piano and electronic tapes.
(19’ 05”)
Radio France Commission & Realisation
Prima audiţie:
14 februarie 1996, Paris, Radio France, Festivalul „Présences”
Prima înregistrare: Radio France double CD/ Prix Italia 1949-1995
IKARUS (III) (1997) for vioda bassa and electronic tape (16’)
Prima
audiţie: martie 1997, I. M. Lăcraru, Londra, Royal Festival Hall
IKARUS (VI) (1997) for viola and tape (15’)
LABYRINTHE (I)
(1997) for string ensemble and tape (2 violins, 2 violas, 2 cellos, 2 doublebasses)
(16’30”)
Prima audiţie: mai 1997, Bucureşti,
Săptămâna Internaţională a Muzicii Noi, Ansamblul HYPERION,
dirijor Ana-Maria Avram,
Prima înregistrare: Edition Modern ED
MN 1009
DE L’ABOLITION DE l’AME (III) (1998) for ensemble
and tape (20’)
Prima audiţie: 18 mai 1998, Nancy, Festivalul
Internaţional „Musique Action”, Ansamblul HYPERION, dirijor Ana-Maria
Avram
NOUVEL ARCHAE (II) (1998) for live and computer assisted voices
(14’11”)
Prima audiţie: 1 iunie 2001, Londra, Royal
Festival Hall, Luminiţa Fara & Ana-Maria Avram
ASSONNANCES (III)
(2000) for voice, bass flute and electronics (17’)
Commission and Realisation
of the tape UPIC Studios, Paris
TRACES, SILLONS, SILLAGES (I) (2000)
for Ansamblul and computer assisted sounds (1cl, 1bass., 1 trb., perc., piano,
2 violas, 2 cellos, 2 Db).(13’)
Prima audiţie: iunie 2000,
Hannover, Ansamblul HYPERION, dirijor Ana-Maria . Avram
Prima înregistrare:
EDITION MODERN EDMN 1016
TELESMA (2001) for computer assisted sounds
and two percussion groups (14'20")
Prima audiţie: 1 iunie 2001,
Londra, Royal Festival Hall, Luminita Fara & Ana-Maria Avram (percuţie)
ZODIAQUE ANTIQUE (2001) for prepared piano, percussion and electronic tape
(17')
Prima audiţie: 1 iunie 2001, Londra, Royal Festival Hall,
Luminiţa Fara (percuţie) & Ana-Maria Avram (pian)
TELESMA (II)
(2001) for bass clarinet and computer assisted sounds (15’)
Prima
audiţie: noiembrie 2001, Bucureşti, Filarmonica „George Enescu”,
Tim Hodgkinson
Prima înregistrare: EDITION MODERN EDMN 1017
TELESMA (IV) (2002) for percussion and computer assisted sounds (14’)
Prima audiţie: 2003, UCSD, San Diego, Gustavo Aguilar
APOKATASTASIS
(I) (2002) for trombone and computer assisted sounds (13’)
Prima
înregistrare: EDITION MODERN EDMN 1017
QUINCONCE (I) (2002)
for viola and computer assisted sounds (13’)
Prima audiţie:
mai 2003, Bucureşti, Casa Radio, Festivalul Internaţional al Muzicii
Electronice şi de Computer „Acousmania”, solist C. Petroiu
Prima înregistrare: EDITION MODERN EDMN 1018
TRANSMUTATIONS
(2002) for bass clarinet, ensemble and computer assisted tape (1cl, 1 bass, 1
trb, 1 perc, 2 violas, 2 cellos, 2 d-b) (13')
Prima audiţie: noiembrie
2002, Casa Radio, Bucureşti, Ansamblul HYPERION & Tim Hodgkinson (bass clarinet),
drijor Ana-Maria Avram
Prima înregistrare: EDITION MODERN EDMN
1019
LABYRINTHE INTÉRIEUR (2004) for bass flute, percussion and
computer assisted sounds. (15’)
Prima audiţie: mai 2004,
Bucureşti, Casa Radio, Festivalul Internaţional al Muzicii Electronice
şi de Computer „Acousmania”, solişti Lisa Cella (flaut)
şi Morris Palter (percuţie)
LUX ANIMAE (I) (2004) for ensemble
and computer assisted sounds
(0.1.2.0,0.0.0.0, crds:1.1.1.1.) (11’)
Prima audiţie: 19 iunie 2004, Bucureşti, Filarmonica „George
Enescu”, Ansamblul HYPERION, dirijor Ana-Maria Avram
LUX ANIMAE
(II) (2004) for ensemble and computer assisted sounds
(1.0.2.1,0.0.1.0, crds
0.2.1.1.), perc (13’)
Prima audiţie: Bucureşti, SIMN
2004, Ansamblul HYPERION, dirijor Ana-Maria Avram
Prima înregistrare:
EDITION MODERN EDMN 1020
FLASHES (II) (2005) for horn and electronics.
(11’)
FLASHES (III) (2005) for wind soloists, wind ensemble, percussion
and computer assisted sounds. (14’)
Prima audiţie: mai 2005,
Bucureşti, Casa Radio, Festivalul Internaţional al Muzicii Electronice
şi de Computer „Acousmania”, Ansamblul HYPERION
Solişti
Tim Hodgkinson, Robert Reigle, Denis Simandy, Chris Cutler, dirijor Ana-Maria
Avram
QUINCONCE (II) (2005) for viola and computer assisted sounds (13’)
Prima audiţie: august 2005, Bruxelles, Dominica Eyckmans (violă)
THE ENDLESS BURNING FIRE (2005) for bass clarinet, prepared piano, percussion,
harp and computer assisted sounds. (15’)
Prima audiţie: mai
2005, Vandoeuvre-les-Nancy, Festivalul „Musique Action”
Solişti
Tim Hodgkinson (bass clarinet), Chris Cutler(percussion), Rhodri Davies (harp),
Iancu Dumitrescu(doublebass), Ana-Maria Avram (prepared piano, conducting), Ellio
Martusciello (sound projection)
LUX ANIMAE (III) (2005) for ensemble
and computer assisted sounds
(1fl, 2cl, 1bass, trb, perc, strings) (13’)
Prima audiţie: Bucureşti, Casa Radio, Festivalul Internaţional
„George Enescu”, Ansamblul HYPERION, dirijor Ana-Maria Avram
VOICES OF THE DESERT (2006)
For ensemble, soloists and computer sounds (16’)
Prima audiţie: 20 noiembrie 2006, Paris, Auditorium Saint Gérmain,
Ansamblul HYPERION
Solişti: TimHodgkinson, Gustavo Aguilar, Denis
Simandy, Robert Reigle, dirijor Ana-Maria Avram
LUX ANIMAE (IV) for saxophone,
ensemble and computer sounds (14’)
Prima audiţie: 21 moiembrie
2006, Paris, Auditorium Sain Germain, Claude Delangle (-nino sax.), Ansamblul
HYPERION, dirijor Ana-Maria Avram
MUZICĂ ELECTRONICĂ
IKARUS (I) (1994) (14’)
Producător: Hyperion Studios
Prima
înregistrare: EDITION MODERN EDMN 1006
HORRIDAS NOSTRAE MENTIS
PURGA TENEBRAS (1999) for computer assisted sounds. (9’30”)
Prima
audiţie: 2002, Festivalul Internaţional al Muzicii Electronice şi
de Computer „Acousmania”
Prima înregistrare: EDITION
MODERN EDMN 1015
NOUVEL ARCHAE (II) (1998) for live and computer assisted
voices (14’11”)
Prima audiţie: 1 iunie 2001, Londra,
Royal Festival Hall, Luminiţa Fara & Ana-Maria Avram
ETUDE (I) (2001)
for computer assisted sounds (11’)
Prima înregistrare: BANANAFISH
- San- Francisco (USA) Nr. 15 / 2001
IYDAM (2005) for computer assisted
sounds.(6’30”)
Prima audiţie: iunie 2005, Bourges,
Festivalul Internaţional „Synthèse”
LUX ANIMAE
(VII) (2005) for computer assisted sounds. (15’21”)
Prima
audiţie: «Musica Nova 2005 international Festival»
FOCUL VIU (2005) for computer assisted sounds (11’20”)
An International
Institute for Electronic Music Bourges - IMEB commission
Prima audiţie:
5 iunie 2006, Bourges, Festivalul Internaţional „Synthèse”
MUZICĂ PENTRU ORCHESTRĂ
LA CURŢILE DORULUI
(1985) for mezzosoprano and ensemble
(1-1-1-1, 1-0-0-0, 3 perc. gr., p-no,
strings 1-1-1-1-1). (15’)
DOUĂ CÂNTECE (1987) for barytone
and ensemble (1-1-1-1, 2-0-2-0, 3 gr perc, pno, 1-1-1-1-1) (10’)
THRENIA (II) (1990) for voices, chamber choir and ensemble (1-1-1-1, 1-1-2-0,
1perc, pn, strings: 4-3-2-1-1) (16’)
A Commission of Juvisy-sur-Orge
Town
Prima audiţie: octombrie 1990, Juvisy-sur-Orge, Ansamblul
şi Corul de la „Conservatoire National de Région”, dirijor
Jean-Louis Vicart.
EKÂGRÂTA (II) (1993) for large ensemble
(1-1-1-1, 1-2-2-0, pn, 2 perc. gr., strings: 4-3-2-1-1) (14’)
Prima
audiţie: noiembrie 1993, Konzerthaus - Vienna, Festivalul „Wien
Modern”, „20 Jahrhunderdt” Ensemble, dirijor Peter Burwik
INSTANTS ORPHIQUES (2003) for Ensemble and Soloists (14’)
(1.1.1.1,
0.0.0.0, 1perc, Crds)
Prima audiţie: mai 2003, Bucureşti,
Casa Radio, SIMN
Solişti: Robert Reigle (saxofon), Keiko Hatanaka
(soprană), Ansamblul HYPERION, dirijor Ana-Maria Avram
LPS and COMPACT
DISCS
„Musique pour Mallarmé” / „Canciones de
la soledàd” LP ELECTRECORD, 1988 ST-ECE 16790/88
”Zodiaque”
for two prepared pianos and electronic tape / „Ekagrâtâ”
for orchestra / „Signum Gemini” for clarinet, prepared piano and two
percussion groups
Edition MODERN ED MN 1002
„Symétries”
for speaker and electronics / „Archae” - for solo voice
Edition
MODERN ED MN 1004
„De sacrae Lamentationem” for large orchestra
/
„Ikarus (I)” for electronic tape -
Edition MODERN ED MN
1006
„Quatre études d’ombre” for bass flute /
„Assonant 3” for flutes and percussion /
„Métaboles”
for solo flute -
Artgallery - Paris ESL 009-ED MN 1007
„De
l’abolition de l’âme„ for instruments, voice and electronics.
Radio France Commission /
„IKARUS II” for Kronos Quartet
Edition MODERN ED MN 1008
„SWARMS” (III) for string orchestra
/
„LABYRINTHE” for strings and electronic tape
Edition MODERN
/ReR MEGACORP ED MN 1009
„CHAOSMOS” (II) for two orchestra
/
AXE (I) for cello and percussion
Edition MODERN /ReR MEGACORP ED MN
1010
„AXE II” for cello. CD 'Musicworks’ number 71,
Toronto, Canada Summer 1998
„NOUVEL AXE” for strings „Musique
Action '98”
Edition MODERN /ReR MEGACORP, ED MN 1011/ ReR Megacorp
DACH01
„ANAMORPHOSIS” for string quartet /
„SECONDE
AXE” for string orchestra
Edition MODERN /ReR MEGACORP ED MN 1012
„NOUVEL ARCHAE” computer assisted music / „AXE” for
cello
Edition MODERN EDMN 1013
„ORBIT OF ETERNAL GRACE”
for clarinet, percussion and orchestra / „ASCENT” for Ansamblul
Edition MODERN ED MN 1014
„NEW ARCANA” for bass clarinet
and Ansamblul /
EC-STATIC CRICKETS (II) for strings /
„HORRIDAS
NOSTRAE MENTIS PURGA TENEBRAS” computer assisted music
Edition MODERN
EDMN 1015
„EC-STATIC CRICKETS (I)” for strings 'Musicworks’
number 76, Toronto, Canada 1999
„TRACES, SILLONS, SILLAGES”
for Ansamblul and tape /
„DORYPHORIES” (I) for Ansamblul
Edition MODERN EDMN 1016
„ETUDE I for computer assisted sounds”
BANANAFISH, San-Francisco (USA) Nr. 15 / 2001
„TELESMA (II)”
for bass clarinet and computer assisted sounds / „APOKATASTASIS” (I)
for trombone and computer assisted sounds
Edition MODERN ED MN 1017
„TRANSMUTATIONS” for bass clarinet, Ansamblul and computer assisted
sounds /
„PENUMBRA” for tenor saxophone
Edition MODERN ED
MN 1019
„INCANTATIO” for viola and large orchestra /
„QUINCONCE” for viola and computer assisted sounds
Edition MODERN
ED MN 1018
„GALAXY-REFLECTION” for solo percusson /
„QUATRE ETUDES D’OMBRE„ for bass flute /
„LUX ANIMAE„
for Ensemble and computer sounds
EDITION MODERN ED MN 1020
“INCREAT
(I)”
Ansamblul HYPERION, solist Chris Cutler (percussion, electronics),
dirijor Ana-Maria Avram
„INCREAT (II)” (12'21")
Ansamblul
HYPERION, solist Tim Hodgkinson (bassclarinet), dirijor Ana-Maria Avram
„STRANGE ATTRACTOR” for Ensemble
EDITION MODERN EDMN 1021